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GTL, FTR, and Other Proprietary Audio Formats: A Lawyer’s Survival Guide

By BodyCamAI · December 9, 2025 · 6 min read

The format wall

Sooner or later a disc or download link arrives that your computer cannot open: jail calls wrapped in a vendor’s player, court audio in a format nothing recognizes, or a folder of files with extensions you have never seen. The evidence is in there. The practice of law should not require a degree in audio codecs, but a working map of the common formats saves real time.

The common offenders

Converting without altering the evidence

The original files are the evidence. Convert copies, keep the originals exactly as produced, and note in the file what was converted, when, and with what tool. If authenticity is ever questioned, the untouched original answers it.

Conversion for review is routine and defensible when the original is preserved. What you want to avoid is editing in place, renaming originals, or re-compressing audio you may later need to enhance. A disciplined folder structure, originals in one place and working copies in another, costs nothing and settles arguments before they start.

When review software absorbs the problem

A review platform that accepts common audio formats directly removes most of the wall: upload the WAV or MP3 exports from the jail call production and the transcripts come back without a conversion step. For the true holdouts like FTR, the free-player export path remains, and the exported WAV uploads like anything else. The goal is that no piece of evidence goes unreviewed because of its wrapper.

The five-minute checklist

Review the whole video, not just the transcript.
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